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Mahesh Babu’s Record-Breaking Guntur Karam: Box Office Triumph!”


Guntur Karam Box Office Collection: The Highest in Mahesh Babu’s Career in Terms of Amounts in Crores?

Guntur Karam, directed by Trivikram Srinivas and produced under the banner of Harika Hassine Creations by Surya Devara Radhakrishna (China Babu) is a film starring superstar Mahesh Babu and Shrileela. On January 12, this film, which was co-directed by Mahesh Babu and Shrileela, was released everywhere with great fanfare. But when we get into the specifics of the movie’s budget, pre-release operations, screen distribution, and box office receipts, we find that Guntur Karam was made on a significant budget. The stars, technicians, and advertising costs are all included in the movie’s budget, which comes to over 200 crores. But even before it was released, the movie had made almost 132 crores in revenue globally. With an approximate budget of 135 crores, it set out to break even at the box office.

Review of Guntur Karam:

Mahesh Babu’s charm keeps this drab movie from being bad.
Review of Guntur Karam: On paper, only Trivikram Srinivas’ film starring Mahesh Babu and Shrileela looks appropriate for Sankranti.

Trivikram Srinivas’ third film with Mahesh Babu is the poorest of his career, following Athadu and Khaleja. Throughout its two hours and forty-nine minutes, Guntur Karam, which stars Shrileela and has notable performances by Prakash Raj, Ramya Krishna, Jayaram, Meenakshi Chaudhary, Murali Sharma, Venela Kishore, and others, finds it difficult to keep your interest. It’s unfortunate because it had a strong narrative to back up its attempts. (Also Read: Meenakshi Chaudhary remarks, “I can’t take my eyes off him,” about Guntur Karam co-star Mahesh Babu.)

Guntur Karam Story:

Raman (Mahesh) has spent the majority of his life apart from his mother Vasundhara (Ramya). Depending on who you ask, the son was formerly known as Rowdy Ramana or Guntur Karam. It’s not that he doesn’t have love; his step-siblings (Meenakshi), aunt (Eeshwari Rao), uncle (Raghubabu), and father, Royal Satyam (Jayaram), all show him plenty of affection. Still, he yearns for his mother’s love, the one from whom he has been cut off. Prakash, his grandfather, is a well-known politician; Rahul Ravindran, his stepbrother, and his mother are in charge. However, what would happen if Raman’s estranged family continued to humiliate him for political purposes?

Guntur Karam Review:

Indian film has entered a new age. Filmmakers appear to be drawn to love stories that centre on friendships (like Salaar and RRR) and, increasingly, parental ties (like Animal, Hey Nanna, and Guntur Karam). Though there are undoubtedly differences in the way these films handle and show their stories, it seems like parent-child friendship problems are more common. Our male heroes undoubtedly possess alternative means of expressing their rage? The creators of Guntur Karam hid the truth from the public, so nobody knew what the movie was about until the audience walked into the theatre. However, this movie is not what you would anticipate—it’s a dumb commercial potboiler. This does not imply that Trivikram did not try to make it an emotional film.

What Works:
It’s difficult to dislike Mahesh when he plays Raman because of how effortlessly and swaggeringly he does the role. His dialogues are full of humour and some of them make you laugh out loud at the sheer chutzpah of it all. He smokes a bidi and burns it with style. Being self-aware, he criticises his family for their flaws—you get the idea. Being self-aware, he criticises his family for their flaws—you get the idea. You as an audience feel disoriented after each revelation in a scenario where an inebriated Raman is frantically attempting to figure out why he’s there, who’s planning to kill him, and where the tale is going. Thin plot. Manoj Paramahamsa’s cinematography also tries to add depth to the proceedings but falls short as style can only do so much without substance.

What Doesn’t Work:
One could characterise Guntur Karam as a movie with too many sequences, ones that don’t pay enough attention to emotions and end abruptly, and scenes that, worse, are just fillers. Trivikram will end it with some pointless discussion before you feel or comprehend Raman’s predicament or the reason his mother would abandon him for twenty-five years. Mahesh’s character has relatively few opportunities in the movie to really breathe, take everything in, and appropriately express his emotions. Old-fashioned jokes and combat scenes don’t help either, nor does the erratic background music, which occasionally drowns out the dialogue. You will meet a Raman in the movie who is more than just his business, more than his welcome, and more than just your typical masala movie. And it’s a shame because Mahesh throws everything he has into the film. If only Trivikram could step out of the box he created for himself.

Guntur Karam’s Women:
Amuktha Malliada, aka Ammu (Shrileela), is Raman’s girlfriend. She is often seen shooting reels or dancing with him, besides having nothing else to do. While Shrileela dances like a dream, a bit more impact on her character’s story could have been beneficial. Meenakshi, apart from running around her stepbrother, doesn’t get much to do, but what she does is skillful. Isn’t it time to give better roles to these girls?

Given that the plot revolves around a mother abandoning her son for a quarter of a century, Viara ought to have done a better job introducing Ramya’s character, Vasundhara. And it’s frustrating that it’s not. The film, especially given Ramya’s talent as an actor, might have been done with more passion and heart. Eeshwari does well in one or two scenes where she can play it all out, but not in key scenes. Despite this, her characters have a satisfying ending.

A Missed Opportunity:Guntur Karma ultimately seems like a squandered chance. It was just hanging sadly in the jaws of discontent the way it is now, when it could have become a commercial masala film or a tearjerker. Furthermore, Mahesh gives the movie his all, so it’s awkward. If only
Trivikram could step out of the box he created for himself.”

Ustad Rashid Khan: Melodious Departure


The Maestro of Hindustani Classical Music, Ustad Rashid Khan Passed Away at 55.

The musician needed ventilation support. He was a member of the Rampur-Sahaswan Gharana. After suffering a brain attack last month, his condition worsened.

Born in Badayun, Uttar Pradesh, Ustad Rashid Khan was first trained by Ustad Nissar Hussain Khan, his maternal grand-uncle. He was a member of the Rampur-Sahaswan Gharana, which is closely associated with the Gwalior Gharana and is distinguished by its medium-slow tempos, full-throated voice, and complex rhythmic play.

Throughout his illustrious career, Ustad Rashid Khan’s performances were not just concerts; they were journeys through the emotional landscapes of life. His khayals and thumris weren’t mere musical notes but a profound expression of the human experience. The timbre of his voice could evoke joy, sorrow, and everything in between, resonating with the collective heartbeat of his audience.

Ustad Rashid Khan had a profound connection with the Gwalior musical lineage, renowned for the Ramapur-Sahaswan style of singing. This style encapsulates a moderate to slow pace, a resonant voice, and intricate rhythmic accompaniment. Much like his ancestors, Ustad Rashid Khan incorporated an expansive and leisurely approach into his vilambit khayal, showcasing exceptional expertise in the use of sargam and intricate taankari (playing within the scale). He drew inspiration from the styles of Amir Khan and Bhimsen Joshi, enriching his own musical expression.

As a disciple, he followed the footsteps of his guru in the art of tarana, but he infused his own unique style. Rather than relying on a stroke-based instrumental style, Ustad Rashid Khan prioritized the khayal style, a choice that earned him recognition akin to the renowned Nisar Hussain. expanses of melodic expression. Ustad Rashid Khan once remarked, “Emotional content can be present in alaap, sometimes during bandish singing, or while expressing the meaning of a song.” This brought a touch of modernity to his style when compared to the traditional maestros, who often emphasized powerful techniques and intricate pathways.

Innovatively, Rashid Khan also experimented by merging classical Hindustani music with lighter musical styles, as seen in his Sufi fusion recording “Naina Piya” (featuring Amir Khusro’s compositions) or engaging in collaborative musical events with Western instrumentalist Louis Banks. He also engaged in jugalbandi (musical duets) with sitar player Shahid Parvez and others, showcasing the versatility and adaptability of his musical prowess.


Padma Shri (2006)

Banga Bhushan in (2012)

Sangeet Natak Akademi Award (2006)

Global Indian Music Academy Awards (GIMA) (2010)

Maha Sangeet Samman Award (2012)

Mirchi Music Awards (2013)

Padma Bhushan (2022)

After being admitted to a private hospital in east Kolkata on November 22, 2023, due to an intracerebral hemorrhage, Ustad Rashid Khan was treated conservatively by a group of neurosurgeons. His condition quickly deteriorated despite his initial recovery due to an infection he contracted in the hospital. He was placed on a ventilator early that morning, and by 3:45 pm, all attempts to bring him back to consciousness failed.

Ustad Khan, who is survived by his spouse and two kids, was honoured with several honors throughout the years, including the Banga Bibhushan, Padma Shri in 2006, Padma Bhushan in 2022, and Sangeet Mahasamman. Even though he was born in Uttar Pradesh, he settled in West Bengal since he loved life there. According to the announcement, his body will receive a gun salute on Wednesday afternoon, followed by the last rituals.

As we say goodbye to this musical quality, we are left with his timeless recordings, every sound that matches his passion, devotion and deep love for ancient traditions While his absence left a void in the world of music, the contribution of Ustad Rashid Khan will so continue to resonate It will ensure that the passion for art remains alive forever.

A Comprehensive Guide to the T20 World Cup 2024


T20 World Cup 2024 India Vs Pakistan

The ICC has recently revealed the groups for the much-anticipated 2024 T20 World Cup, setting the stage for a thrilling face-off between cricket powerhouses India and Pakistan in the vibrant city of New York. Group A is set to witness intense battles with India, Pakistan, USA, Canada, and Ireland, while Group B hosts England, Australia, Namibia, Scotland, and Oman.

In Group C, New Zealand faces off against cricket giants West Indies, Afghanistan, Uganda, and Papua New Guinea, while Group D sees South Africa competing against Sri Lanka, Bangladesh, Netherlands, and Nepal.

India embarks on its journey on June 5, squaring off against Ireland in New York. Subsequent clashes include high-stakes encounters against Pakistan on June 9 and the USA on June 12, with the final group match against Canada scheduled for June 15. The group stage unfolds from June 1 to June 18, paving the way for the Super 8 matches spanning from June 19 to June 24. The semi-final showdowns are slated for June 26-27, with the grand finale scheduled for June 29. The initial semi-final unfolds in Guyana, followed by the concluding clash in Trinidad, culminating in the ultimate face-off in Barbados.

This edition of the T20 World Cup introduces a fresh perspective with an expanded tournament featuring 20 teams. The dynamic duo of West Indies and the USA assumes the role of hosts, bringing added flair to the event. What sets this edition apart is the shift from global qualifiers to a more region-focused qualification system. Africa, Asia, and Europe each secure two qualification spots, while the Americas and East Asia-Pacific secure one each. Notable teams earning qualification through this route include Ireland, Canada, Namibia, Scotland, Oman, Papua New Guinea, Uganda, and Nepal.

Breaking away from the previous format employed until 2022, which encompassed a qualifying stage, Super 12 rounds, and knockouts, the 2024 T20 World Cup ushers in a new era with two group stages. The twenty participating teams are divided into five groups, each comprising four teams. The top two teams from each group progress to the Super 8 stage, where they are further divided into two groups of four. The top two teams from each Super 8 group then advance to the semi-finals, setting the stage for an electrifying culmination to this cricket extravaganza.

As cricket enthusiasts worldwide gear up for the T20 World Cup 2024, the revamped format promises a riveting and unpredictable competition, ensuring that every match is a spectacle to behold.

T20 World Cup 2024 teams and groups

Group A: India, Pakistan, Ireland, Canada, USA

Group B: England, Australia, Namibia, Scotland, Oman

Group C: New Zealand, West Indies, Afghanistan, Uganda, Papua New Guinea

Group D: South Africa, Sri Lanka, Bangladesh, Netherlands, Nepal

T20 World Cup 2024 Dates:
Date Match Group/Stage Venue

June 1, Saturday USA vs Canada Group A Dallas
June 2, Sunday West Indies vs Papua New Guinea Group C Guyana
June 2, Sunday Namibia vs Oman Group B Barbados
June 3, Monday Sri Lanka vs South Africa Group D New York
June 3, Monday Afghanistan vs Uganda Group C Guyana
June 4, Tuesday England vs Scotland Group B Barbados
June 4, Tuesday Netherlands vs Nepal Group D Dallas
June 5, Wednesday India vs Ireland Group A New York
June 5, Wednesday Papua New Guinea vs Uganda Group C Guyana
June 5, Wednesday Australia vs Oman Group B Barbados
June 6, Thursday USA vs Pakistan Group A Dallas
June 6, Thursday Namibia vs Scotland Group B Barbados
June 7, Friday Canada vs Ireland Group A New York
June 7, Friday New Zealand vs Afghanistan Group C Guyana
June 7, Friday Sri Lanka vs Bangladesh Group D Dallas
June 8, Saturday Netherlands vs South Africa Group D New York
June 8, Saturday Australia vs England Group B Barbados
June 8, Saturday West Indies vs Uganda Group C Guyana
June 9, Sunday India vs Pakistan Group A New York
June 9, Sunday Oman vs Scotland Group B Antigua and Barbuda
June 10, Monday South Africa vs Bangladesh Group D New York
June 11, Tuesday Pakistan vs Canada Group A New York
June 11, Tuesday Sri Lanka vs Nepal Group D Lauderhill
June 11, Tuesday Australia vs Namibia Group B Antigua and Barbuda
June 12, Wednesday USA vs India Group A New York
June 12, Wednesday West Indies vs New Zealand Group C Trinidad and Tobago
June 13, Thursday England vs Oman Group B Antigua and Barbuda
June 13, Thursday Bangladesh vs Netherlands Group D Saint Vincent and the Grenadines
June 13, Thursday Afghanistan vs Papua New Guinea Group C Trinidad and Tobago
June 14, Friday USA vs Ireland Group A Lauderhill
June 14, Friday South Africa vs Nepal Group D Saint Vincent and the Grenadines
June 14, Friday New Zealand vs Uganda Group C Trinidad and Tobago
June 15, Ssturday India vs Canada Group A Lauderhill
June 15, Saturday Namibia vs England Group B Antigua and Barbuda
June 15, Saturday Australia vs Scotland Group B Saint Lucia
June 16, Sunday Pakistan vs Ireland Group A Lauderhill
June 16, Sunday Bangladesh vs Nepal Group D Saint Vincent and the Grenadines
June 16, Sunday Sri Lanka vs Netherlands Group D Saint Lucia
June 17, Monday New Zealand vs Papua New Guinea Group C Trinidad and Tobago
June 17, Monday West Indies vs Afghanistan Group C Saint Lucia
June 19, Wednesday A2 vs D1 Group 2 Antigua and Barbuda
June 19, Wednesday B1 vs C2 Group 2 Saint Lucia
June 20, Thursday C1 vs A1 Group 1 Barbados
June 20, Thursday B2 vs D2 Group 1 Antigua and Barbuda
June 21, Friday B1 vs D1 Group 2 Saint Lucia
June 21, Friday A2 vs C2 Group 2 Barbados
June 22, Saturday A1 vs D2 Group 1 Antigua and Barbuda
June 22, Saturday C1 vs B2 Group 1 Saint Vincent and the Grenadines
June 23, Sunday A2 vs B1 Group 2 Barbados
June 23, Sunday C2 vs D1 Group 2 Antigua and Barbuda
June 24, Monday B2 vs A1 Group 1 Saint Lucia
June 24, Monday C1 vs D1 Group 1 Saint Vincent and the Grenadines
June 26, Wednesday TBD Semi-final 1 Guyana
June 27, Thursday TBD Semi-final 2 Trinidad and Tobago
June 29, Saturday TBD Final Barbados